Select Essays & Reviews

“Faking it: Li-Ming Hu,” RM Gallery & Project Space, 6 November 2024.

“Nemesis,” Yve Yang Gallery, 26 October 2024.

“Michael Ho: Conjuring Acts,” Independent Features, 11 July 2024.

“Ghada Amer Refigures the Othered Woman,” Frieze Magazine, 27 November 2023.

“Art of the Gamble,” Open Source Gallery: 2022 Exhibitions, 2023.

“Must-Visit Exhibitions in New York During Frieze Week,” Frieze Magazine, 16 May 2023.

“Nam June Paik: Moon is the Oldest TV,” The Amp, 13 February 2023.

“The Misfits,” Artforum, 26 January 2023.

“The Artsy Vanguard 2022: Cindy Ji Hye Kim,” Artsy, 15 November 2022.

“Martha Atienza’s and Yee I-Lann’s Decolonizing Projects,” Frieze Magazine, 26 October 2022.

“Punchline,” Artforum, 26 July 2022.

“Mo Kong,” Artforum, 5 April 2022.

“Plant People,” Momus, 10 January 2022.

“Christina Yuna Ko,” Artforum, 16 November 2021.

“Noguchi: Useless Architecture turns structure into useful sculpture,” The Architect’s Newspaper, 3 September 2021.

“MoMA exhibition pays tribute to Shigeko Kubota through seven of her genre-defying works,” South China Morning Post, 31 August 2021.

“Wong Ping’s video art, cynical, crude and cartoonish, is a rebellion against adult responsibility,” South China Morning Post, 26 July 2021.

“Getting Our Own,” Art in America, 18 May 2021.

“Godzilla, the Asian American Arts Network, Teaches Us That Critique Is Essential,” Artsy, 7 May 2021.

“House of Worship,” The Offing, 14 January 2020.

“To Go Without Saying,” The Offing, 17 September 2019.

“Worth It: Written in parallel with Lizania Cruz: $200 From… To… -With Love,” Recess, May 2019.

“Best of 2018: Our Top 20 Exhibitions Across the United States,” Hyperallergic, 20 December 2018.

“Shocking Asia: C. Spencer Yeh,” ArtAsiaPacific, January 2018.

“Artist Omer Fast’s Take on Chinatown Angers Community Organizations,” Hyperallergic, 2017 October 11.

“I Cared, But What Did It Do?: Juliana Huxtable’s ‘A Split During Laughter At The Rally’,” Filthy Dreams, 4 June 2017.

“Same, Girl: Vibing with Amy Feldman’s ‘Nerve Reserve’,” Filthy Dreams, 12 May 2017.

“Beckies and Betties: Confronting White Womanhood,” Filthy Dreams, 3 May 2017.

“A Good Girl Gone Bad Sketches Her Korean American Experience,” Hyperallergic, 6 October 2016.

Books

Danielle Wu and Howie Chen, Just Between Us: From the Archives of Arlan Huang (New York: Pearl River Mart, 2023). (PDF)

Minutes of the Meeting. 2022.

Danielle Wu and Summer Kim Lee, Water Works (New York: International Studio & Curatorial Program, 2022). (PDF)

Edited by Chanelle Adams and Danielle Wu, Earthly Delights (New York: Tiger Strikes Asteroid, 2022). (Cahier Central)

Anne Anlin Cheng, Alex Paik, and Danielle Wu, Ghost in the Ghost (New York: Tiger Strikes Asteroid, 2019).

Interviews

“Whose Garbage Becomes The Archive? – an interview with Eunsong Kim,” The New Inquiry, 24 October 2024.

“Lakshmee Lachhman-Persad on the Intersections of AAPI Identity and Disability,” The Amp, 6 September 2023.

“Godzilla: Asian American Arts Network 1990-2001: Interview with Howie Chen,” The Offing, 28 January 2022.

“Interrogating Histories with an Ecosystem of Porcelain and Piss,” Chicago Magazine, 12 October 2018.

“Redefining Desire: Interview with Margaret Lee,” ArtAsiaPacific, 2 February 2018.

“Jiwon Choi: ‘Parallel,’” Vdrome, 2017.